The LFF closing night film is a storybook fable based on Isabel Greenberg’s graphic novel. We spoke to director Julia Jackman about a movie rooted in fairytales but with a very contemporary call to ...

Released in 2005, Team Ico’s seismic adventure, in which you scale and slay gargantuan beasts, subverted genre conventions and reignited the conversation around the artistic merit of video games ...

Highlights from the three-time Oscar winner’s rare appearance, in conversation at the BFI London Film Festival.

The new film from Luca Guadagnino has Julia Roberts playing a philosophy professor getting engulfed in the fallout from a sexual abuse incident. Co-stars Ayo Edebiri and Andrew Garfield tells us about ...

From Eyes Without a Face to Raw, French horror trips the line between realism and the uncanny, and pushes into a realm of profound discomfort.

One hundred years after she was born, we remember one of our favourite Angela Lansbury performances: as the malevolent mother working for the other side in John Frankenheimer’s chilling Cold War ...

Actor Benjamin Voisin stars as Camus’ naive anti-hero Mersault, a man who is ill at ease with his desire, in this beautifully shot black and white rendition of this classic of existentialism.

The final shot of Joseph L. Mankiewicz’s glorious, barbed 1950 masterpiece sneakily suggests that the real villain is not Eve Harrington herself but female ambition in general.

The annual awards celebrate creative audacity among emerging UK filmmakers.

Learn more about Screencraft's visit to film-related network partners in Paris and Brussels and an upcoming video exploring Derek Jarman-related material preserved by the Archive.

From Akinola Davies Jr’s feature debut My Father’s Shadow to Mark Jenkin’s Rose of Nevada, this year’s festival programme features the work of many alumni of our early-career support and funding ...

A young girl’s life is upended by tragedy in Belgian drama Têtes brûlées. Director Maja-Ajmia Yde Zellama told us about avoiding the clichés of violent masculinity and the limits of storytelling as a ...